BELUR &
HALEBID
The Hoysala temples at Belur and Halebid (Halebeed,
Halebidu), along with the one at Somnathpur east of Mysore, are the cream
of what remains of one of the most artistically exuberant periods of Hindu
cultural development. The sculptural temple decoration even rivals those
of Khajuraho (Madhya Pradesh) and Konark (Orissa) or the best of European
Gothic art.
The Hoysaleswara Temple
at Halebid was constructed about 10 years after the temple at Belur, but
despite 80 years labour was never completed. Nevertheless, it is easily
the most outstanding example of Hoysala art. Every cm of the outside walls
and much of the interior are covered with an endless variety of Hindus
deities, sages stylized animals and birds, and friezes depicting the life
and times of the Hoysala rulers. No two are alike. Scenes
which depict
war, hunting, agricultural, music and dance, and some very sensual
sculptures explicitly portraying the après-temple activities of the
dancing girls, are all represented here, together with two huge Nandis
(Siva’s bull) and a monolithic Jain statue of Gomateshvara.
The small museum adjacent to the temple has a collection of temple
sculptures and is open from 10 am to 5 pm. There is also a smaller temple,
the Kedareswara, at Halebid and, off the road to Hassan, a Jain temple.
At Belur, the Channekeshava
Temple is the only one at the three Hoysala sites still in daily
use.
Non – Hindus are allowed inside but not into the inner sanctum. It is
very similar to the others in design but here much of the decoration has
gone into the internal supporting pillars and lintels, and the larger but still very guardian bests. As the Halebid, the external walls are covered
in friezes.The other, lesser, Hoysala temples at Belur are the Channigaraya
and the Viranarayana.
The Halebid and Belur temples are open every day.
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